HEAVEN IS VOID

Travelling to learn how “to be” scratching the best experiences of life, to self-prolong, reaching to the epicenter of the values that give meaning to a life. Such has been Pamen Pereira’s intense journey through Japan. Intense in the experience of inter-communication with the few men who are preparing to receive one of the most enduring ancestral philosophies in habitats-temples embedded in nature, and propagating in the arduous, painful, and willingly joyful learning of adaptation until the maximum “stabilization” of the body with the spirit. More than a physical transfer, the artist has made a trip to the origins of millenary performances in the merging of man with nature, to reconcile and give new vigor to notions already installed in her previously such as unlimited time, the symbolic relationship of the lives in between, the unifying light, or the powerful awareness of the insignificance of the “self”.